Same Step, Different Orchestra
In this class we will explore the musicality of different orchestras, we will develop an interesting combination, and then look at how we might use the same movement with contrasting orchestras, Biagi and Di Sarli for example. The focus will be much more on the musicality than the movements, musicality is equally important for leaders and followers, it is through musicality that the role of the follower is expressed. Steps are important but without musicality they are empty.
This series will develop the techniques required to dance comfortably in close embrace. It is suitable for beginners and for those with some experience who are new to close embrace.
Check Step Turns
In this class we will develop a family of rhythmic turns I call check step turns. They are dynamic, compact turns that work well on the social dance floor, including the ocho cortado and some nice variations.
Same Step, Different Orchestra
In this class we will explore the musicality of different orchestras, we will develop an interesting combination, and then look at how we might use the same movement with contrasting orchestras, Biagi and Di Sarli for example. The focus will be much more on the musicality than the movements, musicality is equally important for leaders and followers, it is through musicality that the role of the follower is expressed. Steps are important but without musicality they are empty.
This series will develop the techniques required to dance comfortably in close embrace. It is suitable for beginners and for those with some experience who are new to close embrace.
Check Step Turns
In this class we will develop a family of rhythmic turns I call check step turns. They are dynamic, compact turns that work well on the social dance floor, including the ocho cortado and some nice variations.
Same Step, Different Orchestra
In this class we will explore the musicality of different orchestras, we will develop an interesting combination, and then look at how we might use the same movement with contrasting orchestras, Biagi and Di Sarli for example. The focus will be much more on the musicality than the movements, musicality is equally important for leaders and followers, it is through musicality that the role of the follower is expressed. Steps are important but without musicality they are empty.
This series will develop the techniques required to dance comfortably in close embrace. It is suitable for beginners and for those with some experience who are new to close embrace.
Ochos and Turns
This class will continue to develop dancing in crossed feet. Back ochos are the most common way to walk in crossed feet, however they are not the only options. We will look at other ways to walk in crossed feet. We will also develop some classic turns as we transition from crossed feet to parallel feet.
Rhythmic Orchestras and Rhythmic Steps
The golden age of tango dancing was launched by the rhythmic orchestras of the early 1930s, first the orchestra of Juan D’Arienzo, and then Edgardo Donato and many more. This music is ideal dance music, the tempos are a bit faster, the rhythm is more marked, and the music is exciting. Many tango steps lend themselves to a rhythmic style of dancing. This class will focus on steps and styles that go well with this music.